A curated global platform where artists worldwide list their work. Collectors discover, enquire, and buy. Art Kelen earns a percentage on every sale.
A curated membership for collectors, enthusiasts, and cultural professionals — exclusive events, early access, and a genuine community built by Daffa.
Exhibition design, gallery management, interior art curation, and events production — Daffa works with institutions and private clients worldwide.
Daffa Konate is an independent curator and cultural consultant whose practice spans exhibition design, gallery management, interior art curation, and events production. She founded Art Kelen to build a platform worthy of African contemporary art.
Working across Paris, Dakar, and internationally, she curates physical and virtual exhibitions, advises galleries on programming strategy, and places art in residential and commercial interiors.
Curated membership for collectors, enthusiasts, and cultural professionals. Exclusive events and early access — built by Daffa Konate.
Curated by Daffa Konate. Every artist selected and approved by the Art Kelen team.
Every artist selected and championed by Daffa Konate. The Art Kelen curatorial team reviews all applications personally.
Art Kelen works with artists who have a strong, consistent practice and a desire to reach international collectors. Applications reviewed by Daffa personally.
Curated virtual exhibitions — immersive, contextual, and built to travel beyond physical borders. Every show personally designed by Daffa Konate.
Each room stages a distinct question. Visitors move between them as they might move between chapters of a single continuous thought.
Six artists reimagine the bold geometric traditions of Ndebele visual culture through a contemporary lens — across painting, installation, textile, and digital work. The most formally ambitious show Art Kelen has yet presented.
Vernissages, collector evenings, artist talks, and cultural gatherings produced by Daffa Konate across Europe and Africa.
The opening vernissage of Echoes of Tomorrow brings together collectors, curators, press, and Art Kelen Circle members for an evening with the artists.
The evening opens with a conversation between Daffa Konate and two exhibiting artists, followed by a private preview of all three rooms before the gallery opens to the full guest list.
Art Kelen produces events in partnership with cultural institutions, embassies, galleries, and commercial venues. From intimate collector dinners to large-scale public programmes — we bring African contemporary art into every kind of space.
Curatorial essays, artist spotlights, market analysis, and cultural commentary by Daffa Konate and invited writers. Published monthly.
In the years following independence, the photographic archive in many West African countries did not survive the transition intact. Files were moved, mislabelled, and in some cases deliberately destroyed. What we call "the historical record" of post-colonial West Africa is, in reality, a highly curated selection — and its curation was rarely done by African hands.
The photographers working across Senegal, Ghana, and Nigeria today are not simply documenting the present. They are, often consciously, building a visual archive that the past failed to produce.
"Every image made today is also a refusal — a refusal to allow the visual archive of this continent to remain in other hands."
Join 4,200 readers — curators, collectors, artists, and anyone who cares deeply about African contemporary art and the conversations shaping it.
Founded because Daffa Konate believed that the most meaningful relationship with African art happens in community — not in isolation.
African contemporary art has arrived on the world stage. The institutions are paying attention. The auction houses have noticed. The art fairs have opened their doors. But the infrastructure around that attention — the relationships, the knowledge, the access — remains unevenly distributed.
Art Kelen Circle was built to change that. It is a space where collectors can develop their eye, where cultural professionals can deepen their knowledge, and where everyone who cares about African contemporary art can do so in the company of others who feel the same.
Daffa Konate is present in the Circle — in the monthly letter she writes to every member, in the studio visits she personally leads, in the conversations she facilitates between collectors and artists. This is not automated. It is curatorial relationship, extended.
Whether forming your first collection or refining one built over decades, the Circle gives you direct access to Daffa's curatorial eye through early previews, collector guidance sessions, and a community of peers.
Curators, gallerists, critics, educators, and institutional professionals — the Circle gives you direct access to artists, curatorial thinking, and a peer network across Europe and Africa.
You don’t need to be a collector or professional. If African contemporary art matters to you — if you want to understand it, discuss it, and be around people who feel the same — the Circle is your home.
Everything Art Kelen produces for the Circle is made by Daffa or under her direct supervision. Nothing is automated. Every letter, every event, every studio visit — these are acts of curation.
The tier you choose determines the depth of access. But all tiers begin with the same commitment: Daffa’s personal attention, extended through a community.
Daffa’s personal monthly letter on what she is looking at, thinking about, and curating. The most personal thing Art Kelen produces.
Circle members see new artists and works before they appear on the platform — and can enquire before public listing opens.
A 20-page report on the African art market — auction results, gallery movements, pricing trends, and Daffa’s analysis of where the market is heading.
A 90-minute live visit to an Art Kelen artist’s studio. Daffa leads. Members ask questions directly. Recorded for those who cannot attend live.
A one-to-one 60-minute conversation with Daffa about your collection or cultural practice. By video or in person when possible.
Invitation to the annual Patron Evening — an intimate dinner and private viewing for 24 Patron members and 4 artists in a major European city.
Annual plans available at 2 months free. Group & institutional memberships on request.
For institutional commissions, gallery management, interior curation, and events production, submit an enquiry and Daffa will respond within two working days.
Independent curator, cultural consultant, and founder of Art Kelen.
Daffa Konate is an independent curator and cultural consultant whose practice spans exhibition design, gallery management, interior art curation, and events production. She founded Art Kelen to build a platform worthy of African contemporary art — one that serves both artists and collectors without compromise.
Working across Paris, Dakar, Lagos, and internationally, Daffa curates physical and virtual exhibitions, advises galleries on programming strategy, and places art in residential and commercial interiors for clients who understand that art is a form of commitment.
She conducts her practice in French and English and works across disciplines — from the intimate (a single collector's home) to the institutional (multi-year gallery programming consultancies).
Press materials, releases, media coverage, and contact for journalists, editors, and broadcast producers.
Art Kelen, the Paris-based African contemporary art platform founded by curator Daffa Konate, announces its third major virtual exhibition: Echoes of Tomorrow, opening 14 March 2026.
The exhibition brings together seven artists from Accra, Dakar, Lagos, Abidjan, Kumasi, and Tunis, working across painting, photography, sculpture, textile, and mixed media.
For image licensing, interviews, exhibition previews, and all media enquiries:
For enquiries about artworks, consultancy, Circle membership, or press — get in touch.
Apply to join Art Kelen’s curated roster. All applications reviewed personally by Daffa Konate. This is not an algorithm — it is a curatorial selection.
Daffa Konate reviews every application personally. She is looking for a consistent, developed practice — not necessarily a famous one — and a genuine desire to reach international collectors through a platform that will champion your work.
Art Kelen is for artists whose practice is already moving: consistent work, some exhibition history, readiness for international attention.
Reviews, catalogues, press clippings. Up to 3 files, max 10MB each.
All submissions reviewed personally by Daffa Konate. Response within 3 weeks. Not all applications will result in an invitation.
Kofi Mensah (b. 1988, Accra) began painting seriously during his studies at the Ghanatta College of Art and Design in Accra, where he developed his foundational interest in the visual grammar of Ghanaian textile traditions — particularly Kente and Kpokpo weaving. After graduating, he spent two years in the United Kingdom on an artist residency, an experience that sharpened his sense of the African body in diaspora and the politics of where African images are made and viewed.
His paintings are large — rarely smaller than 120 centimetres — and built in layers over weeks or months. Mensah describes the process as “painting in conversation with the canvas”: initial marks made quickly, then responded to slowly, each subsequent layer deciding the fate of what came before. The result is a surface of tremendous density, where passages of clarity emerge from what might otherwise be an unresolvable visual field.
He has been collected by the Saatchi Gallery, the Pigozzi Collection, and a private Belgian collection. His work has been exhibited at 1:54 African Art Fair (London and New York), Palais de Tokyo (Paris), and galleries across Accra and Lagos.
“The Kente cloth is not decoration. It is information — a visual encoding of social position, occasion, lineage. When I paint with its logic, I am not making African-themed paintings. I am making arguments in a language that is already complete.”
“My paintings begin in Ghana and finish in Europe. That geography is not accidental. The conversation I am having — between the aesthetic traditions I grew up with and the institutions that will eventually judge my work — is a conversation about power. I try to make that conversation visible.”
To enquire about specific works, discuss availability, or request a commission, contact Daffa directly.